Lynda - Raw & Log Video Production Workflows

1. 001 Meet your instructors.mp432.45MB
2. 002 What you should know before watching this course.mp416.43MB
3. 003 Using the exercise files.mp45.79MB
4. 004 Log and raw vs. regular video.mp454.05MB
5. 005 What is log recording_.mp428.23MB
6. 006 Understanding different flavors of log.mp446.27MB
7. 007 Beware of fake log.mp433.63MB
8. 008 What is raw video recording_.mp452.27MB
9. 009 Can I record video in both log and raw_.mp461.63MB
10. 010 What is a lookup table (LUT)_.mp452.34MB
11. 011 What is bit depth_.mp447.25MB
12. 012 What is dynamic range_.mp436.8MB
13. 013 What impact does compression have on recording_.mp430.05MB
14. 014 Recording video in-camera or with an external recorder.mp447.39MB
15. 015 Choosing the correct media type for recording.mp430.75MB
16. 016 Recording with a reference chart and slate information.mp424.31MB
17. 017 Applying a preview LUT in camera.mp438.09MB
18. 018 Applying a LUT in monitor.mp460.93MB
19. 019 Applying an Input LUT in your NLE.mp428.87MB
20. 020 The role of a DIT on a professional set.mp458.98MB
21. 021 Sony recording workflow.mp435.96MB
22. 022 Canon recording workflow.mp459.3MB
23. 023 Blackmagic recording workflow.mp455.47MB
24. 024 Panasonic workflow.mp454.18MB
25. 025 Working native or transcoded.mp425.36MB
26. 026 Storage requirements.mp462.63MB
27. 027 Lookup table workflows.mp457.12MB
28. 028 Raw development strategies.mp465.51MB
29. 029 Ingesting raw and log material in Premiere Pro.mp426.91MB
30. 030 Creating proxy files in Premiere Pro.mp447MB
31. 031 Applying and adjusting Input LUTs in Premiere Pro.mp433.66MB
32. 032 Adjusting source settings on raw files.mp410.92MB
33. 033 An overview of adjusting color and exposure in Premiere Pro.mp422.8MB
34. 034 Moving raw and log material to After Effects.mp410.79MB
35. 035 Applying a LUT in After Effects.mp418.92MB
36. 036 Ingesting raw and log material in Final Cut Pro X.mp429.76MB
37. 037 Creating proxy files in Final Cut Pro X.mp412.85MB
38. 038 Applying and adjusting input LUTs in Final Cut Pro X.mp411.51MB
39. 039 An overview of adjusting color and exposure in Final Cut Pro X.mp416.79MB
40. 040 Ingesting footage and using Resolve Color Management.mp435.83MB
41. 041 Creating optimized media files in Resolve.mp422.36MB
42. 042 Applying and adjusting LUTs in Resolve.mp444.25MB
43. 043 An overview of adjusting color and exposure in Resolve.mp433.82MB
44. 044 Importing and exporting a LUT in Premiere Pro.mp422.32MB
45. 045 Importing and exporting a LUT in Final Cut Pro X.mp417.61MB
46. 046 Importing and exporting a LUT in Resolve.mp418MB
47. 047 Manipulating LUTs with Lattice.mp423.12MB
48. 048 Next steps.mp417.39MB