Digital Tutors - Real-World Techniques for Multipass Compositing in After Effects

1. 01. Introduction and project overview.mp410.23MB
2. 02. Lets get linearized.mp444.51MB
3. 03. Recommended file formats for compositing.mp431.42MB
4. 04. Project organization, goals and breakdown.mp444.13MB
5. 05. Basic additive technique for compositing render elements.mp446.48MB
6. 06. Advanced additive technique for compositing render elements.mp451.88MB
7. 07. Using light selects to composite render elements.mp441.74MB
8. 08. Subtractive techniques for compositing render elements.mp443.37MB
9. 09. Setting up lighting controls for our composite.mp451.69MB
10. 10. Balancing our robot composite.mp475.03MB
11. 11. Improving details on our robot composite.mp473.95MB
12. 12. Finalizing the first pass for our robot composite.mp435.56MB
13. 13. Getting started with our Cinema 4D composite.mp454.75MB
14. 14. Controlling our diffuselighting pass.mp476.12MB
15. 15. Adding color to our specular and shadow pass.mp447.91MB
16. 16. Refining our GI pass for our environment.mp455.51MB
17. 17. Tweaking the ambient and reflection passes.mp459.1MB
18. 18. Adding an underwater look using our refraction pass..mp473.49MB
19. 19. What are UV passes and how can we use them.mp459.79MB
20. 20. Using Uvs to create custom displacement maps.mp457.1MB
21. 21. Adding bubbles and liquid using UV maps.mp459.26MB
22. 22. Exploring techniques for compositing AO and Shadow passes..mp462.09MB
23. 23. Using RGB channels to color match elements.mp434.4MB
24. 24. Making sure we have a balanced composite.mp442.29MB
25. 25. Animating our lighting controls.mp453.33MB
26. 26. Creating a balanced comp for the back of the robot.mp463.43MB
27. 27. Finishing up the lighting on our robot comp.mp453.39MB
28. 28. Lets talk about light wraps.mp463.48MB
29. 29. Overall color grades and vignettes.mp441.83MB
30. 30. Adding atmospheric particles to our scene..mp448.31MB
31. 31. Creating and compositing an RGB volume light.mp481.75MB
32. 32. Addressing client notes in comp to save time.mp484.77MB
33. 33. Faking liquid using UVs and fractal noise..mp435.58MB
34. 34. Advanced tips for using UVs.mp445.43MB
35. 35. Lets talk about relighting.mp463.9MB
36. 36. Adding contrast and contact lighting.mp448.38MB
37. 37. Fake reflections and cheap rim lights.mp467.92MB
38. 38. A new way to look at glows in After Effects.mp472.45MB
39. 39. Compositing contact lighting for our laser gun flashes.mp478.85MB
40. 40. A look at Position passes inside After Effects.mp450.16MB
41. 41. Using Position passes to create UVs.mp455.71MB
42. 42. Extracting position data from our world position pass.mp433.31MB
43. 43. Adding destruction elements.mp471.99MB
44. 44. Depth of field in After Effects using C4D renders.mp474.54MB
45. 45. Applying depth of field to our robot using MayaVray renders..mp444.54MB
46. 46. Adding motion blur to our comps.mp453.4MB
47. 47. Finishing our composite and project.mp485.66MB