Digital Tutors - Real-World Techniques for Multipass Compositing in After Effects

1. 01. Introduction and project overview.mp410.24MB
2. 02. Let's get linearized.mp444.55MB
3. 03. Recommended file formats for compositing.mp431.46MB
4. 04. Project organization, goals and breakdown.mp444.18MB
5. 05. Basic additive technique for compositing render elements.mp446.53MB
6. 06. Advanced additive technique for compositing render elements.mp451.93MB
7. 07. Using light selects to composite render elements.mp441.78MB
8. 08. Subtractive techniques for compositing render elements.mp443.41MB
9. 09. Setting up lighting controls for our composite.mp451.74MB
10. 10. Balancing our robot composite.mp475.08MB
11. 11. Improving details on our robot composite.mp473.99MB
12. 12. Finalizing the first pass for our robot composite.mp435.58MB
13. 13. Getting started with our Cinema 4D composite.mp454.8MB
14. 14. Controlling our diffuse_lighting pass.mp476.18MB
15. 15. Adding color to our specular and shadow pass.mp447.95MB
16. 16. Refining our GI pass for our environment.mp455.55MB
17. 17. Tweaking the ambient and reflection passes.mp459.15MB
18. 18. Adding an underwater look using our refraction pass..mp473.53MB
19. 19. What are UV passes and how can we use them_.mp459.83MB
20. 20. Using Uvs to create custom displacement maps.mp457.14MB
21. 21. Adding bubbles and liquid using UV maps.mp459.3MB
22. 22. Exploring techniques for compositing AO and Shadow passes..mp462.13MB
23. 23. Using RGB channels to color match elements.mp434.43MB
24. 24. Making sure we have a balanced composite.mp442.32MB
25. 25. Animating our lighting controls.mp453.38MB
26. 26. Creating a balanced comp for the back of the robot.mp463.48MB
27. 27. Finishing up the lighting on our robot comp.mp453.44MB
28. 28. Let's talk about light wraps.mp463.53MB
29. 29. Overall color grades and vignettes.mp441.86MB
30. 30. Adding atmospheric particles to our scene..mp448.36MB
31. 31. Creating and compositing an RGB volume light.mp481.8MB
32. 32. Addressing client notes in comp to save time.mp484.83MB
33. 33. Faking liquid using UVs and fractal noise..mp435.61MB
34. 34. Advanced tips for using UVs.mp445.48MB
35. 35. Let's talk about relighting!.mp463.95MB
36. 36. Adding contrast and contact lighting.mp448.41MB
37. 37. Fake reflections and cheap rim lights.mp467.97MB
38. 38. A new way to look at glows in After Effects.mp472.5MB
39. 39. Compositing contact lighting for our laser gun flashes.mp478.9MB
40. 40. A look at Position passes inside After Effects.mp450.21MB
41. 41. Using Position passes to create UVs.mp455.75MB
42. 42. Extracting position data from our world position pass.mp433.34MB
43. 43. Adding destruction elements.mp472.05MB
44. 44. Depth of field in After Effects using C4D renders.mp474.59MB
45. 45. Applying depth of field to our robot using Maya_Vray renders..mp444.59MB
46. 46. Adding motion blur to our comps.mp453.45MB
47. 47. Finishing our composite and project.mp485.72MB
48. Real-World Techniques for Multipass Compositing in After Effects.zip1.16GB